Poppins
Type with Purpose
Good typography guides attention, improves understanding, and makes communication effortless.
The Anatomy of a Typeface
By FontSide · June 2026
Every typeface is a system of decisions — about stroke contrast, x-height, spacing, and rhythm. The best ones feel invisible: you stop seeing the letters and start hearing the voice behind them. That transparency is the hardest thing to design.
A high x-height opens up the counters and makes small text breathe. Tight tracking pulls a headline together; loose tracking gives a caption room to exhale. None of these choices are accidents — they are arguments about how reading should feel.
Uppercase
Lowercase
Numerals
Symbols
Configuration
Select the weights and styles you want to include in your project.
Weights
Styles
Package Manager
The recommended way to use fonts in modern web projects.
1. Install Package
pnpm add @fontsource/poppins 2. Import in App
// Please select at least one weight and style 3. CSS Usage
body {
font-family: "Poppins", sans-serif;
} Google Fonts CDN
Use Google's CDN to embed the fonts directly via HTML.
HTML <head>
<!-- Please select at least one weight and style --> Fontsource CDN
Skip the build step by adding this directly to your global CSS file.
Global CSS
/* Please select at least one weight and style */ Background & Story
Geometric sans serif typefaces have always been popular, and with support for both the Devanagari and Latin writing systems, Poppins is an internationalist addition to the genre.
Many of the Latin glyphs (such as the ampersand) are more constructed and rationalist than is typical. The Devanagari design was particularly novel when it was first published in 2015, and was the first ever Devanagari typeface with a range of weights in this genre. Just like the Latin, the Devanagari is based on pure geometry, particularly circles.
Each letterform is nearly monolinear, with optical corrections applied to stroke joints where necessary to maintain an even typographic color. The Devanagari base character height and the Latin ascender height are equal; Latin capital letters are shorter than the Devanagari characters, and the Latin x-height is set rather high.
The project was developed by Indian Type Foundry (ITF). The Devanagari was initially designed by Ninad Kale, while the Latin was initially designed by Jonny Pinhorn. Following their principal phase of designing the first 5 styles, the typeface was later refined, and expanded to include multiple weights and italics, by the ITF studio team.
To contribute, see github.com/itfoundry/poppins
Tags & Moods
Subsets
Install
pnpm add @fontsource/poppins Designed by
Indian Type Foundry, Jonny Pinhorn, Ninad Kale
Links
License
OFL-1.1